Peter Van Heyghen : concert et soutenance de doctorat, Anvers 3 avril
Pour nos amis et collègues de Belgique ou du Nord de la France : un événement rare à ne pas manquer ! Un concert suivi d’une soutenance de thèse, par Peter Van Heyghen : la place de la flûte à bec dans l’interprétation de la musique italienne ca. 1600-1690.
Attention, il faut réserver avant le 25 mars, suivez le lien !!
REGISTER HERE FOR THE CONCERT AND/OR PUBLIC DEFENSE BEFORE 25 MARCH
The Concert: Passaggi et affetti
This concert program presents instrumental and mixed vocal-instrumental North Italian repertoire from the first half of the seventeenth century, performed on recorders in accordance with contemporary instrumentation practices. The ensemble features Kateřina Blížkovská (mezzo-soprano), Peter Van Heyghen and Susanna Borsch (recorders), Joanna Huszcza (violin), Stephen Moran (violone), Nigel North (theorbo), and Kris Verhelst (organ and harpsichord).
Phd in the Arts: The Place of the Recorder in the Performance of Italian Music, c.1600-1690.
Italian “Early Baroque” music has long captivated modern recorder players. But how significant was this instrument in the seventeenth century? What repertoire did it feature? Was it played by professionals, amateurs, or both? What sizes and types of recorders were used, and were there regional differences? These are the key questions this PhD seeks to answer, aiming to inspire modern recorder players to adopt a more culturally informed approach to performing this music.
Supervisors: Kristin Van den Buys, Marc Vanscheeuwijck
When?
Thursday 3 April
14:00 – 15:15: Concert
15:30 – 17: 30: Public DefenseFollowed by a reception
Where?
Amuz, Kammenstraat 81, 2000 Antwerp
